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Rama Stuti From Ramcharitmanas
Rama Stuti From Ramcharitmanas
Text in Roman script
Devotional text
rāma tuita
{|| rāma tuita ||}
govāmī tulasīdāsa ivaricata īrāmaciratamānasa
bālakāḍa
rāma jama
bhaye gaṭa kṛpālā dīnadayālā kausayā ihatakārī |
hariṣata mahatārī muina mana hārī auta pa ibacārī ||
locana aibharāmā tanu ghanayāmā inaja āyudha bhuja cārī |
bhūṣana vanamālā nayana ibasālā sobhāisadhu kharārī ||
kaha dui kara jorī atuita torī keiha ibidha kara anaṃtā |
māyā guana yānātīta amānā veda purāna bhanaṃtā ||
kanā sukha sāgara saba guna āgara jeiha gāvaha uita saṃtā |
so mama ihata lāgī jana anurāgī bhayau kaṭa īkaṃtā ||
āṃḍa inakāyā inamata māyā roma roma ita beda kahai |
mama ura so bāsī yaha upahāsī sunata dhīra mita ithara na rahai ||
upajā jaba yānā bhu musukānā cirata bahuta ibidha kīha cahai |
kiha kathā suhāī mātu bujhāī jeiha kāra suta ema lahai ||
mātā puina bolī so mita ḍolī tajahu tāta yaha pā |
kīje isasulīlā aita iyasīlā yaha sukha parama anūpā ||
suina bacana sujānā rodana ṭhānā hoi bālaka surabhūpā |
yaha cirata je gāviha hirapada pāviha te na paraha bhavakūpā ||
iba dhenu sura saṃta ihata līha manuja avatāra |
inaja ichā inamata tanu māyā guna go pāra ||
arayakāḍa
ai muina ārā tuita
namāima bhata vasala | kṛpālu śīla komala ||
bhajāima te padāṃbuja | akāimanā vadhāmada ||
inakā yā suṃdara | bhavābunātha maṃdara ||
phula kaṃja locana | madāida doṣa mocana ||
laṃba bāhu ivama | bho'meya vaibhava ||
inaṣaṃga cāpa sāyaka | dhara iloka nāyaka ||
idaneśa vaṃśa maṃdana | maheśa cāpa khaṃdana ||
muna saṃta raṃjana | surāira vṛda bhaṃjana ||
manoja vaiira vaṃidata | ajāida deva seivata ||
ivaśu bodha ivaha | samata dūṣaṇāpaha ||
namāima iṃidarā pita | sukhākara satā gita ||
bhaje saśata sānuja | śacī pita iyānuja ||
vadaṃi mūla ye narāha | bhajaṃita hīna masarāha ||
pataṃita no bhavāṇave | ivataka vīica saṃkule ||
ivivata vāisanaha sadā | bhajaṃita mutaye mudā ||
inaraya iṃiyāidaka | yāṃita te gita vaka ||
tamekamauta bhu | inarīhamīvara ivabhu ||
jagau ca śāvata | turīyameva kevala ||
bhajāima bhāva valabha | kuyoiganā sudulabha ||
vabhata kapa pādapa | sama suseyamavaha ||
anūpa pa bhūpita | nato'hamuvajā pita ||
sīda me namāima te | padāja bhata deiha me ||
paṭhaṃita ye tava ida | narādareṇa te pada ||
jaṃita nā saṃśaya | vadīya bhata saṃyutāha ||
arayakāḍa
muina sutīṇa ārā tuita
kaha muina bhu suna ibanatī morī | atuita kara kavana ibidha torī ||
mihamā aimata moira mita thorī | riba samukha khaota a~jorī ||
yāma tāmarasa dāma śarīra | jaṭā mukuṭa piradhana muinacīra ||
pāiṇa cāpa śara kita tuṇīra | nauima inaraṃtara ī raghuvīra ||
moha ivipana ghana dahana kṛśānuha | saṃta saroha kānana bhānuha ||
iniśacara kira batha mṛgarājaha || ātu sadā no bhava khaga bājaha ||
aṇa nayana rajīva suveśa | isatā nayana cakora inaśeśa |
hara ida mānasa bāla marāla | nauima rāma ura bāhu ivaśāla ||
saṃsaya sapa sana uragādaha | śamana sukakaśa taka ivaṣadaha ||
bhava bhaṃjana raṃjana sura yūthaha | ātu nātha no ṟ6ipā vathaha ||
inaguṇa saguṇa ivaṣama sama pa | yāna igarā gotītamanūpa ||
amalama aikhalama anavama apāra | nauima rāma bhaṃjana miha bhāra ||
bhata kapa pādapa ārāmaha | tajana odha lobha mada kāmaha ||
aita nāgara bhava sāgara setuha | ātu sadā idanakara kula ketuha ||
atuilata bhuja tāpa bala dhāmaha | kila mala ivapula ivabhaṃjana nāmaha ||
dhama vama namada guṇa āmaha | saṃtata śama tanotu mama rāmaha ||
jadipa ibaraja yāpaka aibanāsī | saba ke dayaṃ inarṃtara bāsī ||
tadipa anuja ī sihata kharārī | basatu manisa sama kānanacārī ||
je jānaha te jānahuṃ vāmī | saguna aguna ura aṃtarajāmī ||
jo kosalapita rāijava nayanā | karau so rāma daya mama ayanā ||
asa aibhamāna jāi jina bhore | ma sevaka raghupita pita more|
urakāḍa
īrāma ke rāyāibhaṣeka ke pacā tuita
jaya rāma ramāramanama śamana | bhava tāpa bhayākula pāiha jana ||
avadheśa sureśa rameśa ivabho | śaraṇāgata magata pāiha bho ||
dasaśīśa ivanaśana bīsa bhujā | kṛta dūira mahāa miha bhūira jā ||
rajanīcara bṛṃda pata|ga rahe | sara pāvaka teja caṃḍa dahe||
miha maṃdala maṃdana cātara | dhṛta sāyaka cāpa inaṣaṃga bara ||
mada moha mahā mamatā rajanī | tama puṃja idavākara teja anī ||
manajāta ikarāta inapāta ikaye | mṛga loga kubhoga sarena ihaye ||
hita nātha anāthina pāiha hare | ivaṣayā bana pavara bhūila pare ||
bahu roga ibayoigiha loga haye | bhavadaṃi inarādara ke phala e ||
bhava sadhu agādha pare nara te | pada paṃkaja ema na je karate ||
aita dīna malīna dukhī inataha | ijaha ka pada paṃkaja īta naha ||
avalaṃba bhavaṃta kathā ijaha ka | iya saṃta anaṃta sadā itaha ka ||
naha rāga na lobha na māna madā | itaha ka sama baibhava vā ibapadā ||
eiha te tava sevaka hota mudā | muina yāgata joga bharosa sadā ||
kira ema inaraṃtara nema ilaya | pada paṃkaja sevata śu ihaya ||
sama māina inarādara ādarahī | saba saṃta sukhī ibacaraṃita mahī ||
muina mānasa paṃkaja bhṛṃga bhaje | raghuvīra mahā ranadhīra aje ||
tava nāma japāima namāima harī | bhava roga mahāgada māna arī ||
guna sīla kṛpā paramāyatana | namāima inaraṃtara īramana ||
raghunaṃda inakaṃdaya ṃ ghana | mihapāla ibalokaya dīna jana ||
bāra bāra bara māgauṃ hariṣa dehu īraṃga |
pada saroja anapāyanī bhagita sadā satasaṃga ||About this stotram — Rama
A Stotram is a Sanskrit hymn of praise composed by great sages and poet-saints such as Adi Shankaracharya. Stotrams describe the deity’s form, qualities and deeds in richly poetic language, and chanting them is said to purify the intellect and awaken devotion. Many stotrams carry a phala-shruti — a closing verse describing the benefits of recitation.
How to chant
Stotrams reward slow, attentive chanting. Read the meaning once before you begin so the verses resonate as you recite. Early morning (Brahma Muhurat) is ideal, but any quiet time works. If Sanskrit feels difficult, chant along with the transliteration and let the rhythm settle naturally over a few days of practice.
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